In the realm of cinematic achievements, Mstyslav Chernov’s “20 Days in Mariupol” stands as a disconcerting firsthand narrative detailing the initial stages of Russia’s incursion into Ukraine in 2022. This opus clinched the coveted Best Documentary Oscar on the recent Sunday night. During his acceptance speech, the Ukrainian filmmaker and war correspondent, Mstyslav Chernov, expressed a poignant desire that reverberated through the auditorium — a fervent wish that circumstances had never compelled him to create this film. He earnestly implored Russia to halt its aggression in his homeland.
Marking a historic milestone, Chernov acknowledged the distinction of being the first director on this prestigious stage to admit a desire to undo his cinematic endeavor. His words resonated with the gravity of the situation, “I yearn to barter this accolade for a reality where Russia refrained from encroaching upon Ukraine. I yearn for the emancipation of all hostages, soldiers valiantly defending their territory, and innocent civilians languishing in captivity.”
As Chernov continued to address the audience, he beseeched Russia to cease hostilities in Ukraine, emphasizing, “I yearn for the liberation of all hostages, the valiant soldiers safeguarding their homeland, and the civilians unjustly confined in their prisons.” His plea echoed through the hallowed halls of the cinematic celebration.
Having spent an arduous twenty days amidst the besieged Mariupol alongside his comrades, Chernov meticulously curated footage during the onset of Russia’s invasion of Ukraine. Collaborating with the teams from Frontline and the Associated Press (AP), the director meticulously crafted the documentary feature that not only recounted the harrowing experiences but also served as a testament to the resilience of the people in Mariupol.
“20 Days in Mariupol” had its grand premiere at the 2023 Sundance Film Festival, where it clinched the prestigious Sundance World Cinema Documentary Competition. This cinematic odyssey, Ukraine’s official entry for the 96th Academy Awards’ Best International Feature Film category, further solidified its acclaim on the global stage.
In a separate cinematic sphere, “To Kill a Tiger,” a Canadian production helmed by Delhi-born Nisha Pahuja, an Emmy-nominated filmmaker based in Toronto, emerged as a noteworthy contender. The film made its debut at the Toronto International Film Festival in 2022, securing the Amplify Voices Award for Best Canadian Feature Film.
Nominated alongside impactful films like “Bobi Wine: The People’s President,” “The Eternal Memory,” “Four Daughters,” and ultimately standing side by side with the victor “20 Days in Mariupol,” “To Kill a Tiger” stood as a testament to the diversity and richness of the cinematic landscape.